Latest
Part of Whose World?
Eliana Freelund • September 18, 2023
Historical revisionism in Disney’s The Little Mermaid (2023) Read More
Venice and Telluride and Toronto, Oh My!
Ariane Fournier • August 30, 2023
Will Hollywood labour strikes affect the film festival circuit? Read More
Hollywood Fears Horny Women in Horror
Isabella Roberti • March 13, 2023
An analysis of X, Pearl, and the snubbing of Mia Goth Read More
Feeling Blue After Watching Avatar?
Auriane Journet • January 30, 2023
The phenomenon of post-Avatar depression syndrome Read More
What Makes a ‘Real’ Boy?
Eliana Freelund • January 23, 2023
The implications of obedience in Guillermo del Toro's fascist Pinocchio Read More
The Future of Filmmaking is Female
Hannah Rothstein • November 30, 2022
A review of 'Aftersun' Read More
The Sound of ‘Black Panther: Wakanda Forever’
Eliana Freelund • November 30, 2022
The importance of musical representation Read More
The Forced “Gen-Zification” of Media
Yehia Anas Sabaa • October 3, 2022
A Commentary on 'Do Revenge' Read More
Fighting Slow Violence: A Review of ‘There’s Something in the Water’
Hyeyoon Cho • September 19, 2022
Representing environmental racism and resistance Read More
Why I (Mostly) Loved ‘Love on the Spectrum (US)’
Kate Ellis • September 12, 2022
A refreshing, yet not perfect, portrayal of dating as an autistic person Read More
Documenting Palestinian Resistance
Yehia Anas Sabaa • April 4, 2022
Abdallah Al-Khatib’s 'Little Palestine (Diary of a Siege)' Read More
Motherhood(s); Motherland(s)
Randa Mohamed • March 28, 2022
Unburying the past in Almodóvar's 'Parallel Mothers' Read More
Hear My Story: an Interview with the Crew of ‘The Porter’
Daniel B. • March 14, 2022
How CBC’s 'The Porter' is reclaiming Black narratives in Canadian history Read More
Reconstructing Memory and Reinventing Home
Yehia Anas Sabaa • February 21, 2022
A review of 'The Hand Of God' Read More
‘PEN15’ is an Ode to Teenage Awkwardness
Eliza Lee • February 21, 2022
Why the show’s newest installment may be its best one yet Read More
