American Sound, American Pain
How Mitski’s new album reframes folk music tropes
Culture
We’ll Always Have New York
A review of Roaming
“Remember – it’s All About the Land”
Dr. Taiaiake Alfred on his long-awaited book
Bottoms on Top
How Emma Seligman revamps the vulgar teen comedy genre
Part of Whose World?
Historical revisionism in Disney’s The Little Mermaid (2023)
Prémonitions : Les voix
Exhibition review and interview with Avery Suzuki
Venice and Telluride and Toronto, Oh My!
Will Hollywood labour strikes affect the film festival circuit?
Just for Laughs Get Serious with ComedyPRO
ComedyPRO wants to center students at this summer’s industry conference
Sasha Colby: Your Favourite Drag Queen’s Favourite Drag Queen
Rupaul’s Drag Race’s reconciliation with trans drag queens
Cri-Cri, El Grillito Cantor – “The Singing Cricket”
The legacy of beloved Mexican composer Francisco Gabilondo Soler
Mothers and Sons
A review of Riceboy Sleeps (2022)
An Idle Mind is the Devil’s Workshop
An interview with John Williams Lanthier, local artist and docent of Usine 106u
Women’s History Month Book Recommendations
The McGill Daily editorial board recommends…
Hollywood Fears Horny Women in Horror
An analysis of X, Pearl, and the snubbing of Mia Goth
Odysseus: Hero, Trickster, or Colonizer?
The McGill Classics Play has been giving Montreal university students a unique educational experience since 2011. It aims to foster cultural exchanges within the Montreal… Read More »Odysseus: Hero, Trickster, or Colonizer?