Latest
Massimadi 2024: Rebirth and Resilience
Sena Ho • October 28, 2024
A festival review and interview with Massimadi’s Naomie Caron Read More
Growth, Healing, and the Cyclical Nature of Art
Eliana Freelund • September 16, 2024
An interview with the ISCEI artist-in-residence Soleil Launière Read More
When Big Man Talk Lets Marcus Garvey’s Words Sing
Eliana Freelund • February 19, 2024
A look into the JAM Arts Centre’s latest exhibition Read More
A World in Flux
Eliana Freelund • November 29, 2023
ROAAr's newest exhibition on Victorian ways of seeing Read More
A Love Letter to Queer Theatre Kids
Eliana Freelund • November 20, 2023
Tuesday Night Café Theatre’s The Importance of Being Earnest – a review and interview Read More
Part of Whose World?
Eliana Freelund • September 18, 2023
Historical revisionism in Disney’s The Little Mermaid (2023) Read More
Just How Prophetic Was Octavia Butler’s ‘Parable of the Sower’?
Eliana Freelund • February 20, 2023
The effects of environmental racism on Black communities today Read More
Odysseus: Hero, Trickster, or Colonizer?
Frida Sofía Morales Mora • February 20, 2023
The McGill Classics Play has been giving Montreal university students a unique educational experience since 2011. It aims to foster cultural exchanges within the Montreal community around ancient Greek and Latin texts by presenting them in all-new, student-driven English versions. This week, we sat down with directors E. Read More
Microtrends Have a Macro Impact
Eliana Freelund • February 6, 2023
Overconsumption of fashion in 2023 doesn’t eat Read More
What Makes a ‘Real’ Boy?
Eliana Freelund • January 23, 2023
The implications of obedience in Guillermo del Toro's fascist Pinocchio Read More
The Sound of ‘Black Panther: Wakanda Forever’
Eliana Freelund • November 30, 2022
The importance of musical representation Read More
