Author Archives: Nathaniel Hanula-James
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“Collage and Conflict: Manifestos on the Politics of Visual Art”
Nathaniel Hanula-James • October 21, 2013
Stuck to a corner of Café l’Artère, a discreet 8.5 by 11 inch paper announces the presence of creative genius. “Teddy Harris’s work is the modernism of everyday perception and rationale. He makes works from vouchsafes and unrealized dreams, lies and advertisements for the nowheres. That is, he takes scraps… Read More