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]]>Gaza: the deadliest place in the world to be a journalist
On August 10, 2025, a targeted Israeli airstrike on a media tent outside Gaza City’s al-Shifa Hospital killed Al-Jazeera correspondent Anas al-Sharif, along with three of his colleagues. Al-Jazeera called it a “blatant and premeditated attack on press freedom.” The Committee to Protect Journalists (CPJ) confirmed that the strike was the single deadliest attack on media workers since the Israel–Gaza war began in October 2023. Al- Sharif’s final social media post, quoted in The Guardian, read: “If these words reach you … Israel has succeeded in killing me.” The words have since echoed as a plea not to let Gaza disappear from global attention.
Al-Sharif, only 28, had become one of the most familiar faces reporting from Gaza in his commitment to showing the city’s suffering under bombardment. Israel later claimed without offering verifiable proof, that Al-Sharif was “the head of a terrorist cell,” a characterization widely rejected by press freedom organizations as unsubstantiated. Press freedom organizations, including the Committee to Protect Journalists and Reporters Without Borders, rejected the accusation without credible evidence, describing it as an unsubstantiated smear likely intended to justify an attack on a journalist. Al-Sharif’s killing prompted a wave of protests and vigils worldwide, from Cape Town and Manila to London, Mexico City, Dublin, Oslo, Berlin, Karachi, and Ramallah. Demonstrators in Houston also gathered outside a local TV station, denouncing media misrepresentation of Gaza and calling for justice for the slain journalists. This has prompted calls from PEN America and from UN Secretary-General António Guterres and the UN Office of the High Commissioner for Human Rights, for an independent investigation into whether the deliberate targeting of journalists may constitute as a war crime.
The number of journalists killed in Gaza has not been verified. According to the United Nations, 242 journalists have been killed since October 2023. The International Federation of Journalists (IFJ) reports at least 180, while the Committee to Protect Journalists (CPJ) puts the figure at 192, making it the deadliest conflict for journalists on record. Regardless of the estimation, the reality for journalists in Gaza is grim. With foreign media effectively barred from entering Gaza, local journalists carry the weight of documenting the war. Their deaths create information black holes at a time when knowledge is most needed.
The United States: hostility turned into policy
The United States has long styled itself as a champion of free press, but recent developments tell a more complicated story. On July 29, 2025, Federal Communications Commissioner Anna Gomez formally issued a dissent against the FCC’s approval of the Paramount– Skydance merger. She warned that the government’s approach to media regulation amounts to “a campaign of censorship and control,” expressing her concern for the erosion of media independence.
Congress has also responded to the growing hostility toward the press. In May 2025, the Senate introduced Resolution 205, a measure condemning Donald Trump’s repeated denunciations of the press and restating the U.S. commitment to press freedom as a democratic cornerstone. Though S.Res. 205 has yet to pass, its introduction signals official concern within Congress about the growing normalization of anti-press rhetoric, especially following repeated attacks by then- President Trump on the “fake news” media, a trend widely denounced as a threat to democratic norms. He has, during his presidency, branded journalists as “enemies of the people.” This language, once shocking, has troublingly become part of mainstream political language in the US.
That hostility is not confined to political rhetoric, it has material consequences on the ground, where reporters covering protests and immigration enforcement have been detained or threatened with deportation. In June, DeKalb County police arrested Atlanta journalist Mario Guevara while he was livestreaming a protest, and local authorities handed him over to ICE custody just days after all criminal charges had been dropped. He remains in immigration detention despite being granted bond, a case press-freedom advocates, including the ACLU, CPJ, Free Press, and the Atlanta Press Club, have described as a “grim erosion of both freedom of the press and the rule of law”. A month later, Covington police arrested two CityBeat journalists, reporter Madeline Fening and intern Lucas Griffith, while covering a protest, drawing criticism from press-freedom groups. Both initially faced felony rioting charges, which were later dismissed. They now continue to face several misdemeanor charges, including disorderly conduct and failure to disperse. Advocacy groups, led by the National Press Club, denounced the arrests as “a direct assault on the First Amendment,” asserting that using criminal charges to intimidate journalists is unacceptable.
This trend within the United States has been observed internationally. Reporters Without Borders confirms that in 2025, the United States ranked 57th out of 180 countries, now classified in a “problematic situation”, on the World Press Freedom Index. They have attributed the decline to heightened political hostility, economic instability, and corporate consolidation. CPJ’s own assessment of Trump’s first 100 days back in office concluded that press freedom is “no longer a given.”
Kenya: silencing dissent on live television
Across the globe in Nairobi, the press is also under pressure. On June 25, amid nationwide protests over police brutality and government corruption, the Kenyan government banned live TV coverage, ordered broadcasters off air, and disrupted transmissions. During the protests, NTV journalist Ruth Sarmwei was struck by a rubber bullet while reporting live, and at least one other journalist was also injured.
The High Court of Kenya swiftly intervened. Justice Chacha Mwita ruled that the ban violated constitutional protections for free expression and ordered the Communications Authority to restore broadcasts. In response, the Law Society of Kenya, joined by over 20 civil society groups, condemned the directive as “a dangerous step towards suppressing fundamental freedoms.” They warned that even in a democracy, such tactics signal how quickly media freedom can be revoked when authorities feel their narrative is threatened. Human rights groups say this reflects a deeper erosion: Kenya is often upheld as a regional model for media freedom, yet security forces routinely crack down on journalists during periods of political unrest.
A worldwide pattern of control
These episodes of censorship, intimidation, and violence against journalists are not isolated. In Gaza, the IDF is killing journalists at an unprecedented rate. In the United States, political hostility and regulatory maneuvering are shrinking media independence. In Kenya, broadcast bans and state intimidation curtail citizens’ access to information.
The 2025 World Press Freedom Index by RWB described the global media landscape as “difficult,” warning that even established democracies are slipping. Gaza, in particular, stands out for its unprecedented journalist death toll, but the crisis is not only about violence. Reporters Without Borders emphasizes that economic fragility, manifesting through shrinking newsroom resources, reliance on political advertisers, and corporate consolidation, has become an increasingly insidious threat to press freedom. This has left media outlets more exposed to censorship, disinformation, and undue influence from political and economic elites.
Why this matters
When Al-Jazeera declared after al-Sharif’s death that “targeting journalists is targeting the truth itself,” the statement echoed warnings from press freedom groups that such attacks undermine democracy and the public’s right to know. A free press is often described as democracy’s “fourth estate,” underscoring its role in holding institutions accountable. In Gaza, killing reporters ensures that atrocities remain unseen. In Washington DC, political hostility and regulatory maneuvering are eroding media independence and undermining accountability. In Nairobi, blackouts deprive citizens of real-time information during protests. The National Public Radio recently put it this way: when journalists are harassed or killed, “the public loses its most vital connection to accountability.”
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]]>The post The Commodification of Love appeared first on The McGill Daily.
]]>Sometimes, all we want is to sit down, cuddle with a pillow, and press play on the next episode of their favorite series. And that, ladies and gentlemen, is how streaming platforms have trapped us into loving our screens and the romance and drama they portray, instead of the messy reality of loving the person next to us. In today’s media landscape, love is no longer just a feeling but a product. Shows like The Summer I Turned Pretty, Better Late Than Single, and Love Island USA may seem wildly different, but each demonstrates how romance is packaged, marketed, and sold.
Jenny Han ’s The Summer I Turned Pretty began as a young adult book trilogy published in the late 2000s and was adapted into a Prime Video series in 2022, with every new season timed for a summer release. The story follows Isabel “Belly” Conklin as she spends summers at Cousins Beach, caught in a love triangle between brothers Conrad and Jeremiah while navigating the awkward but intoxicating shift from adolescence to adulthood. By the time the third and final season dropped this July, the show had cemented itself as one of the defining comfort watches of the season.
On the surface, it’s a teen romance: sunsets, heartbreak, and Taylor Swift ballads. But the show’s appeal goes deeper, tapping into multiple layers of nostalgia. For longtime fans of the novels, the adaptation commodifies memory itself. Amazon is selling not only a streaming series but the chance to revisit a beloved story in a new format. Some viewers compare scenes to the dog-eared pages they once read under their blankets. Some viewers simply watch to relive the feeling of being that teenager again. What was once private imagination is now communal, bingeable content.
The release strategy sharpens that effect. By releasing each season in the summer, Prime has turned the series into an annual ritual, one that feels less like coincidence and more like a marketing cycle. Fans may forget about Belly and her romantic indecision during the school year, but when summer rolls around, the show becomes a seasonal marker, pulling viewers back into the story exactly when they’re most susceptible to longing for beach days and first loves. In this way, The Summer I Turned Pretty commodifies not just romance, but the rhythm of time itself: selling the very idea of summer back to its audience.
While The Summer I Turned Pretty sells nostalgia, Love Island USA sells pure spectacle. Now in its seventh season, the show drops a group of singles into a luxury villa — this time in Fiji —and isolates them from the outside world. No phones, no internet, no distractions. Their lives shrink to bikinis, challenges, and strategic re-couplings under the constant gaze of cameras. The twist is that viewers play judge, jury, and executioner: voting on their favorite contestants, deciding eliminations, and ultimately crowning the winning couple.
On the surface, it’s fun, sexy, and easy to watch. It’s the kind of show you put on when you want your brain to turn off. But Love Island isn’t really about romance. It’s about selling romance as a product. Contestants quickly realize that relationships are less about intimacy and more about performance. Stay likable, stay desirable, stay “shippable” — that’s the real strategy. Love becomes a currency, traded for screen time, social media clout, and eventual sponsorship deals once the villa doors close.
The commodification doesn’t end with the finale. Love Island creates online frenzies, spilling into Twitter threads, TikToks, Instagram edits, and dinner-table conversations. Viewers aren’t just passive consumers; they become active participants, debating recouplings with strangers on the internet and bonding with friends over favorite contestants. The show sells love twice — first as drama on-screen, and then as discourse in everyday life. Even our conversations, our opinions, our memes become part of its reach, proof that romance packaged as spectacle can extend far beyond the villa.
Netflix’s Better Late Than Single, which premiered this July, feels worlds apart from the glossy drama of Love Island. Instead of Instagram-ready contestants, it introduces “모태솔로 (motae solos)” — a Korean term for people who have never dated in their lives. These men and women, mostly in their late twenties and thirties, move into a shared house where they receive style coaching, attempt first crushes, and stumble through awkward conversations with all the hesitation of absolute beginners.
What stands out is how different this feels compared to the norms of Western reality dating shows, which tend to center young contestants who present themselves as effortlessly confident in love. Here, awkward silences, tentative gestures, and shy confessions take center stage. The effect is surprising for viewers used to high-drama formats: intimacy is portrayed not as fast-paced spectacle but as slow, uncertain progress.
Until recently, a series like this might have reached mostly K-drama fans. But Netflix’s global distribution has carried Better Late Than Single to audiences around the world, many of whom find its vulnerability refreshing. That’s the irony: what is framed as “authentic” is also carefully curated, packaged, and sold as novelty. Even sincerity, even awkwardness, becomes a product for global consumption.
Maybe that’s the real butterfly effect of these shows: what starts as a simple binge on the couch ripples into how we think about love off-screen. Why risk heartbreak when Belly, or a villa full of strangers, can give you an adrenaline rush or butterflies on demand? Why settle for awkward first dates when you can watch others stumble through theirs in high definition? These series soothe us, entertain us, and sometimes trick us into expecting too much. That’s the irony of commodified love: it feels just real enough to keep us hooked, even if the romance in our lives can’t quite compete.
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]]>The Booze
Expectation: In a massive open-plan bar, pitchers of (free) beer spray down from a number of hands ornamenting the 19th-century twisting staircase as Froshies, with their heads up and their tongues out, consume enough beer to feed a frat for a semester. The floor of the bar is covered in a two-foot layer of a mixture of both alcohol and vomit. By the end of the night, there are so many casualties that residence halls are no more than 50% full and will not recover the entirety of their population until weeks after.
Reality: Frosh is definitely not an alcohol-free event, so quality, quantity and pricing of alcohol is central to many Froshies’ experience. Frosh (at least for the Arts faculty) was priced at over 200 dollars, not including additional alcohol expenses. For many Froshies, buying your own drinks made budgeting a necessity when it came to their drinking. For others, pockets were being emptied so often at so many different places for drinks that were obviously overpriced that from my point of view it seemed like these folks were trying to spend as much money as possible. However, it was definitely possible to get drunk for every event for no more than 100 dollars total.
The actual drinking was not as intense as many anticipated. I personally did not see anyone throw up, although there have been rumours that the Management faculty may not have been the most responsible with their drinking. Froshie Andrew of the Management faculty alluded to something called a “power hour,” although he refused to elaborate on that particular line of questioning. In general, people were consistently a bit drunk, rather than sometimes sober and other times blacking out.
The Frosh Leaders
Expectation:
All Frosh leaders are sober and responsible at all times. Froshies are expected to have fun with respect to their leaders’ crowd control efforts.
Reality: Frosh was more intense than I and many others expected. It is not that the leaders were irresponsible – I want to make it clear that many of them did an amazing job making Frosh what it was, but it was certainly odd to see Mr. “Frosh is a privilege that we must uphold!” lying down hammered on the lawn outside McConnell Engineering Building at 1pm on a Tuesday. From my perspective, for the leaders, Frosh is an excuse to get drunk for a few days (although this obviously is not the case for everyone), which seems fair enough.
Thankfully, the leaders’ enthusiasm did make Frosh more exciting. The dedication these people had to pre-gaming (drinking at one of the leaders’ apartments before going out) at every event was impressive. Letting twenty Froshies drink heavily in your living room is a bold decision. Bold, however, is not strong enough to describe our dear leaders’ exploits. There were pre-games for the boat cruise at 6am. My dad doesn’t even wake up this early. A 6am pre-game means you have to get up at 5am. The respect I have for those who held the events that early is genuinely unmatched.
Making Friends
Expectation: As I walk down the steps of Stewart, I cross the other side of Doctor Penfield Avenue, where I am stopped by two guys who give me a quick little dap up and then continue on past me. I walk for no longer than thirty seconds before I stop and chat with a couple of girls. Telling them I have to leave, I scurry on towards the steps in front of Leacock, high-fiving people sporadically as my trot increases to a scamper. I make a quick right turn and enter the Redpath Library. Looking around the premises as if I were a spy, I dart through the door and down the steps to the marvelous bottom floor where I spot my real friends.
Every single character in this scenario I met at Frosh.
Reality: My personal expectations for Frosh may have been hyperbolic at best. Of course, not every single person in my Frosh group would become my best friend, because in theory you can only have one best friend and groups, by definition, have more than one person. Many Froshies did not make the life-long connections they had anticipated making. It seems as if many of the best friendships were made at more sober camping and climbing Froshes. In fact, my roommate was part of Camping Frosh, and he still hangs out with the people he met almost every day. Most other Frosh programs consisted of events with loud music and drinking, and while that was incredibly fun, it made it harder to have more than a surface level conversation with them. It has only been a week or so (at the time of writing) since Frosh ended, and I do not really know anybody who stayed friends with people from their Frosh group.
Conclusion
Frosh did not meet expectations. For many, it subverted them in a weird, modern art-esque way. Frosh was neither good nor bad; it wasn’t even ugly. The only true statement about Frosh 2025 at McGill University is that it happened.
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]]>The post Rethinking Allyship appeared first on The McGill Daily.
]]>In 1961, the Freedom Riders were formed in the United States. This group consisted of black and white American men protesting segregated transit systems by travelling across the country together and fighting racism side by side. Simultaneously, on the other end of the globe, the Mahar writers and poets of India established the Dalit Panthers in 1972. This radical organization, inspired by the Black Panthers, protested the institutionalized caste discrimination faced by Dalits or “untouchables”: the lowest ranked group in the Indian caste system. The Dalit Panthers wrote speeches and produced art, such as pocket-sized political zines, denouncing inequality while also organizing self-defense initiatives. Overall, the thread that weaved these acts of resistance together was not a focus on individual identity, but instead, an affirmation of solidarity despite differences, and the active fight for justice.
Today, we have resorted to land acknowledgements and digital guides navigating the guilt associated with injustice rather than the issue of injustice itself.
Contemporary social justice movements in North America have made considerable achievements in integrating critical theory into mainstream political consciousness. The works of notable thinkers such as bell hooks or Kimberlé Crenshaw have shaped our understanding of subjugation, emphasizing that the intersection of our various identities – whether that be class and race or religion and gender – influences the way we experience the world around us.
Nonetheless, the forms of resistance that have arisen from these theories lack key elements needed to unify different parties into a joint struggle: a true sense of solidarity and partnership.
Instead, the notion of allyship has dominated activist spaces and literature. Defined by Oxford English Dictionary as the “ the state or condition of being a person who supports the rights of a minority or marginalized group without being a member of it,” this concept provides clear guidelines on how those sympathetic to social justice movements should represent, speak to, and show up for people within marginalized communities. When examining the term “ally” from a political context, however, allyship often implies impermanence. Allies are made in times of war and often under strict conditions. Allies aim to further the interests of both groups involved in the partnership for the time being and can quickly be disentangled. Allies are not your fellow friends and partners, nor are they your brothers or sisters.
When we apply these ideas of conditionality to social activism, we pigeonhole ourselves into a strict set of rules concerning how we engage with others. Not only does this approach frame people as a single monolith, reducing the identities of those within minority groups to their oppression, but it also ensures we centre ourselves and our own feelings of guilt over the actual complex issues facing marginalized communities.
A tenet of allyship has been the overemphasis on the experience of privilege rather than totalizing social hierarchies. However, when our activism solely examines our own complicity in systems of power, we maintain dominant cultural narratives, guaranteeing that the stories with the most visibility in mainstream media are our own and not those of the communities we claim to uplift. Taking this idle position in the creation of art and scholarship ensures that people of colour, queer folk, people with disabilities, and all groups that are already pushed to the margins of social structures are additionally pushed to those of creative endeavours. Rather than taking charge of our activism through direct action and close collaboration with these communities, we isolate ourselves to our own experiences.
In short, when we uplift voices by creating a comfortable distance between ourselves and the communities we wish to support, we prevent true bonds of solidarity and camaraderie from taking shape.
Still, the fear of fully absorbing ourselves in the lived experiences of others does come with valid concerns. Overgeneralizations and the misrepresentation of groups can perpetuate false narratives, further obscuring the lived realities of marginalized people. Scholars attempting to capture the Middle East and Asia have sensationalized these regions and its people. Queer love in film and television is often hypersexualized. However, similarly to the notion of allyship, these depictions often centre privileged voices and gazes within discussions on marginalization. They do not aim to understand communities facing marginalization, and as a result, they fail to meaningfully collaborate with members of these groups to challenge oppressive systems.
We must stop pretending that there is not more nuance to the simple binaries of privileged and oppressed, powerful and powerless. While social structures predetermine the manner in which we perceive others and the way we are perceived, the only way to break free from this condition is to actually engross ourselves in the struggles and stories of others. An allyship that reinforces the divisions between communities does not achieve this.
We need to create a new conceptualization of active solidarity that does not create false representations of marginalized groups, does not centre our own guilt, and tangibly engages with systems of oppression. We must question the passive, unmoving, and unchanging idea of an ally and submerge ourselves in the struggles of others.
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]]>The post The Politics of College Sex appeared first on The McGill Daily.
]]>Terms such as ‘prude’ or ‘pious’ are now thrown around for those less interested in sex; those who embrace multiple partners face accusations of being a ‘fuckboy’ or ‘fuckgirl’; the ones who leap from relationship to relationship are labeled a ‘serial monogamist.’ Every set of sexual judgment collides across boundaries as our former stigmas lose their grip, encountering students from 152 different countries who each arrive carrying their own.
More strikingly, gendered archetypes arise. Chief among them is hybrid masculinity, defined by sociologists Tristan Bridges and C.J Pascoe as the incorporation of marginalized identities or progressive characteristics, such as queerness, feminism, or sensitivity, into performances of masculinity, while retaining social privilege and dominance. These gendered dynamics often mask compulsory heterosexuality behind the façade of wokism and feminism. It is mostly cosmetic: the ‘performative male’ fantasy doesn’t dismantle patriarchy’s grip on sexuality.
Compulsory sexuality – the social expectation that everyone should be sexually active, interested in sex, or pursuing relationships– is further reinforced by the social, loud, party-centered environment of residence life. Sex is always just around the corner, talked about, overheard through thin walls, and constantly fantasized. With little else to do outside of classes, students fill their time by socializing before, between, and after lectures, and partying through the weekends. Our bodies suddenly become the center of social life. In residences, bowls of condoms appear during Frosh or Halloween, insinuating that sex will happen. The result is an edgy cocktail of hormones, peer pressure, substances, and newfound freedom, pushing boundaries, and lowering inhibitions.
College sexuality today is less about why you want to have sex and more about how you want it, on top of conditions that keep getting worse. COVID-19 introduced fears of proximity itself, producing tighter social boundaries and reducing sexual encounters. In the background, national politics – such as US abortion restrictions – loom heavily over American students, reminding them that sexual freedom is never guaranteed and always conditional.
And yet, paradoxically, while campus life is saturated with sexual talk and expectations, researchers and journalists have been warning of a ‘sex recession’. To explain it, some point to the rise of modern hookup culture. Bargained over on dating apps such as Tinder, Hinge, and Bumble, sex increasingly functions as a kind of online currency, reducing intimacy to a quick, one-off encounter that many find unappealing. Others accuse the impact of the #MeToo movement, which has exposed how deeply patriarchal structures shape sexual encounters, often leaving women feeling dispossessed of their own sexuality– here, what is framed as “sex” may in fact be experienced as a form of dispossession, closer to violation than to intimacy. At the same time, safety concerns have led to a redefinition of what “safe sex” means, not just protection from disease or pregnancy, but the pursuit of sexual experiences that are emotionally secure and consensual.
Beyond this, broader cultural anxieties weigh heavily: climate change, the rise of authoritarian politics, and mental health struggles all contribute to stress and disengagement from partnered sex. Instead, many young people turn inward, exploring sexuality alone through pornography or other sexual media. Indeed, sex has never felt more politicized, more fraught, and more carefully negotiated.
Ultimately, college sex teaches us that sexuality is not merely what happens to the body, but an experience of the self in the midst of the world.
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]]>The post Moving Beyond Labels appeared first on The McGill Daily.
]]>I wrote this in the aftermath of Charlie Kirk’s death: a conservative activist known for his Christian identity and his strong defense of the Second Amendment. He was shot and killed at a university event in Utah as part of his “American Comeback” tour. What quickly followed was a chaotic spectacle of polarization online. Some celebrated his death, others mourned him as a man of God. Still, many insisted that his murder was a karmic inevitability as a result of his advocacy. Though the motive for his murder is presently unclear, what we do know is that his death immediately became a battleground for political labelling.
This is one of the many issues I have with political labelling. It pulls us into the binary logics of the colonial gaze: left or right, good or evil, martyr or monster. It causes us to overlook complexity and disables our ability to focus on our reality, the harm Kirk’s politics mobilized and the simultaneous grief that comes with any death. After reading the reactions to his death, I had sat with this question: if we celebrate the killing of someone we despise, are we also mirroring the very violence we condemn elsewhere? That’s not to invalidate the very harms his actions have taken against my own communities. What happens when those who honour his death neglect to also hold him accountable? What happens to those left with the damage of his legacy? In this binary logic, there is little space for the full spectrum of grief.
Political labels by design seek to simplify and contain our humanity into tidy boxes easily
controlled and regulated. But simplification also produces the erasure of lived realities and lived suffering. One of my Elders reminded me recently of the interdependence between all living beings (yes, not just humans) and the choices that ripple out beyond the temporary labels that we carry. The colonial gaze we’ve all been conditioned by imposes categories of race, gender, identity, and nation by flattening complexity and forcing people into boxes to serve systems, not life.
Therein lies the tension I feel with theory because it alone cannot be our saviour from this predicament. As Black feminist and poet Audre Lorde said, “The master’s tools will never dismantle the master’s house.” If we continue to debate within the confines of identity labels placed upon us – left versus right, liberal versus conservative – we continuously reinforce the systems of categorization in place. The real harms that continue today in prisons, of colonial violence, of alarming housing and food injustices, of inaccessible healthcare, persist unrefuted.
Meanwhile, on the internet, people are fighting over who gets to claim a moral victory over Kirk’s death. But the internet is not the real world. It is one technological aspect of it built in binary code and transformed into a “culture” that profits off of division and rage, while the real world goes on. The orange hue of the sun continues to shine, the trees continue to release oxygen, and communities continue to fight despite ongoing injustices. It’s easy to get lost in the internet delusion and use up all our energy in online reactions, to the effect that we don’t have capacity any longer for the real work of change.
But real mobilization is happening. Here in Tiohtià:ke (Montreal), the tenants’ union SLAM-MATU valiantly fought and won against a 19.8% rental hike as a result of collective organizing. In British Columbia, the Supreme Court recognized the Haida Nation as having complete sovereignty over the terrestrial areas of Haida Gwaii. These actions are not about labels, but are about innate human needs for food, housing, support, and collective care. They are about living in respectful and reciprocal relationships with one another.
So, what do we want to build? An internet world where labels rule and transactions thrive, or a living world where relationships are essential and transformational? What are we able to learn when we stop obsessing over who is right or wrong online, and instead ask what the people around us need? What movements can we organize, here and now, where we are?
Charlie Kirk’s death shows us what happens when labels consume us. In this space, nuance disappears, violence becomes a spectacle, and we lose sight of what liberation demands. True liberation does not grow from ideological purity or choosing the right side of the internet war. It comes from rebuilding our relationships, restoring the deficit of trust between strangers, and cultivating communities of care. Start small. Start local. Start with who is in your life. It’s the micro shifts that make the macro change possible.
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]]>The post The Future of Mobilization at McGill appeared first on The McGill Daily.
]]>Adopted on May 30, 2025, Quebec’s Bill 89 amends the Labour Code to “give greater consideration to the needs of the population in the event of a strike or a lock-out,” by ensuring the continuation of “services ensuring the well-being of the population.” The Act empowers the government to designate disputes for review by the Administrative Labour Tribunal, which can order that such services be maintained and, if negotiations fail, impose conditions itself. While strikes and lock-outs may continue, they can be suspended in “exceptional circumstances.” According to Evan Fox-Decent, law professor
and president of the Association of McGill Professors of Law, “this legislation represents a frontal attack on workers’ fundamental rights.” For McGill faculty unions, this bill significantly curtails the effectiveness of strikes by limiting the possible leverage of work stoppages and narrowing the scope of legitimate collective action against the administration. This bill also generates a chilling climate of deterrence, where professors, staff, and students, fearing retaliation, may refrain from publicly endorsing or joining mobilizations. Without explicit backing from faculty unions, student strikes lose a crucial source of momentum and legitimacy, weakening student solidarity actions.
In April, the pro-Palestinian student group Students for Palestinian Honour and Resistance (SPHR) organized a three-day demonstration on campus calling for McGill to cut ties with institutions and companies linked to Israel. The university responded by securing an injunction from the Quebec Superior Court judge. The ruling barred protests within five metres of McGill buildings and prohibited activities that could disrupt classes or exams. While directly aimed at weakening SPHR, the injunction sets a broader precedent as the administration can now swiftly resort to the courts to neutralize any disruptive student mobilizations. This fosters a climate of self-censorship, especially since both protesters and “any person aware of the judgment,” even if they aren’t directly related to SPHR, can risk legal consequences. The spatial restrictions also undercut the visibility and effectiveness of protests, discouraging broader participation.
In the aftermath of the April protests, McGill attempted to terminate its contractual relationship with SSMU. The Memorandum of Agreement (MoA) is the formal contract that governs the relationship between McGill University and the Students’ Society of McGill University, outlining the rights, responsibilities, and financial arrangements between the two parties.
It gives SSMU official recognition as the undergraduate student association, allowing it to collect fees, use campus space, and represent students in dealings with the administration. In return, the MoA sets out standards of accountability, compliance with university regulations, and conditions under which the agreement can be reviewed or terminated. McGill can default on the MoA if it determines that SSMU has breached its obligations, such as failing to comply with university policies or legal requirements, since the MoA gives the administration the authority to terminate or suspend the agreement on those grounds.
McGill Interim Deputy Provost Angela Campbell accused the organization’s leadership of not dissociating itself from groups that “endorse or engage in acts of vandalism, intimidation and obstruction as forms of activism.” By moving to terminate this agreement, this threatened to strip SSMU of resources essential for organizing large-scale student movements, including funding, office space, and institutional recognition.
Following a mediation process of several months, McGill and SSMU announced that the MoA will remain in effect, with revisions. The agreement removed certain restrictions on SSMU election eligibility, while also reaffirming limits on protests that involve disruption of academic activities, vandalism, or intimidation. Although this resolution preserved the student union’s legal footing, it underscores how fragile the student unions’ position remains by demonstrating McGill’s willingness to use the threat of institutional withdrawal as leverage. Even with the renewed MoA, the imposed boundaries signal that student mobilization is tolerated only within tightly controlled parameters.
In essence, these developments leave students with fewer institutional resources, greater legal risks, and diminished means of mobilizing, as they have increasingly become
vulnerable to administrative and legal suppression.
Despite these obstacles, history demonstrates that student activism adapts and survives. When direct forms of protest have been suppressed, activists turn to innovative, symbolic ways to continue resisting oppressive systems even when traditional avenues are restricted.
The 2012 Maple Spring was a series of student protests against the proposal to raise university tuition significantly. Throughout this mobilization, protesters faced restrictive legislation, including an emergency law forbidding protests near university grounds and requiring police approval for large public protests (Bill 78), while the municipality of Montreal passed a law prohibiting mask-wearing during any organization or demonstration. In response, the movement devised innovative tactics, such as the “casseroles” actions, nightly balcony protests where citizens banged pots and pans in support of the movement. What began as a creative way to work around restrictions soon spread across the province, illustrating how repressive measures can inadvertently spark innovation.
Furthermore, to ensure no single administrative decision can dissolve student mobilization, a more decentralized and diversified organization strategy is necessary. A constellation of faculty and department-level assemblies, along with alliances beyond campus, can build resilience. When student struggles are tied to a broader community and labour issues, they gain both legitimacy and power. In 2012, opposition to Bill 78 quickly escalated from a tuition protest into a province-wide movement, drawing labor unions, teachers, and even the Quebec Bar Association in protesting for civil rights. Similarly, today, multiple faculty associations at McGill are already challenging Bill 89, citing its violations of constitutional rights by forcing workers to “work against their will, under conditions that are not of their choosing,” as noted by McGill Professor of Sociology Barry Eidlin. By aligning with these efforts, students can position their struggles within a broader fight for democratic liberties and workers’ rights.
History has proven that student mobilization consistently plays a fundamental role in contributing to change. From the fight against South Africa’s apartheid, where McGill notably became the first Canadian university to divest from the National Party’s brutal regime, to more recently, to the Board of Governors’ unanimous decision to divest from fossil fuel companies after a decade of student pressure, students have time and time again demonstrated their ability to push institutions toward greater accountability. These precedents, along with current movements, suggest that while the frameworks for protest may change, mobilization at McGill can continue by embracing decentralization, creativity, and solidarity.
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]]>The post Is It Too Late? appeared first on The McGill Daily.
]]>David Suzuki, academic and climate activist, made headlines earlier this year with a sobering statement on climate action: “It’s too late.”
The reverberating panic in activist spaces was immediate: “if David Suzuki’s given up, we’re really screwed!”
Admittedly, he hasn’t given up, per se. But rather than calling for large-scale legal, economic or policy changes — as he has for decades — he is now encouraging communities to build resilience in the face of the climate crisis. Suzuki’s new stance might be apt, as we have surpassed six of the Stockholm Resilience Centre’s nine planetary boundaries which define our habitable Earth: climate change, biogeochemical flows, freshwater change, land system change, biosphere integrity, and novel entities— synthetic chemicals emitted by technological developments. Yet investments in fossil fuel capital continue to grow, alongside climate anxiety and ensuing feelings of defeatism.
By the end of the 2010s, climate activism had obtained immense popularity, especially among youth and students. Greta Thunberg’s Fridays For Future movement was the most visible of its type — inspiring school strikes, protests, and die-ins by young people around the world. Protests calling for the Canadian government to ban fossil fuels had reached a fever pitch, or so it seemed.
Then, the unprecedented chaos of 2020 changed it all. During these years, the world grappled with illness, social isolation, economic uncertainty, police brutality, and countless other injustices. However, in the face of those challenges, we showed an unprecedented capacity for collective action. The New York Times called the 2020 Black Lives Matter movement the largest protest movement in U.S. history, with between 15 and 26 million participants.
Ironically, amidst all this politicization and protest, the climate movement fell flat on its back.
Although the pandemic is over, climate activism has not recovered. The Canadian Press
calls the current Canadian government “noncommittal about meeting 2030 climate goals” and climate issues have been pushed to the back of the Canadian mind. However, they fuel every other issue we face. The climate crisis is not impending, it is current. Places across the world, including Iraq, Somalia, and the Gulf Coast of the United States, are experiencing extreme natural disasters that herald a new era of climate devastation. Meanwhile, the school strikes, marches, and dialogue around climate action are notably absent from the global stage. In a sense, it is “too late” to prevent the catastrophe we predicted decades ago. But is it too late to call for government action, and to limit the scope of destruction?
To answer this question, I interviewed McGill students from a range of fields and backgrounds. I wanted to know whether climate defeatism has taken hold of our student body and whether McGill students see a path forward through this crisis. I wanted to know whether we, as students and as global citizens, can still be mobilized in the name of climate action.
My first conversation was with Cam*, a U2 student double majoring in Physics and Latin
American and Caribbean Studies. Cam has been involved in climate activism since the age of 12. I asked him what he thought about environmental defeatism.
“The idea that we won’t face catastrophic climate change is a fallacy,” he claimed, “but I am not a defeatist in that I don’t believe there is nothing left to be done.”
It is a daunting thought that catastrophe will strike regardless of the action we take now. Cam knows that “the rest of [his] life will be spent in a constant battle to mitigate the
effects of fossil fuel emissions.” And yet, we can still lessen these effects by taking a stand against the fossil fuel industry. “There’s an infinite amount of difference [between] category 5 hurricanes happening twice a year and four times a year…every human life is a massive difference.” says Cam.
For every degree of warming and every extreme weather event, human lives hang in the
balance. Such high stakes have led to ample debate over the best protest practices; namely, whether or not peaceful protest is enough.
“[New fossil fuel investment] is a crime,” Cam told me, “not just against society but against humanity as a whole. So I think that as citizens of Earth, it’s completely justified to take direct action.”
According to the Activist Handbook, direct action can refer to a range of physical tactics, from civil disobedience to property destruction and violence. In his notable book How to Blow up a Pipeline, climate activist and author Andreas Malm asserts that historically, direct action has proven to be highly effective in toppling status-quo systems, and was instrumental in ending oppressive regimes throughout the 20th century, from racial segregation in the United States to Israeli occupation of Lebanon to South African apartheid.
While direct action involves higher physical and legal risk to protesters, and is not always
popular with the masses, many argue that it is sometimes necessary to make a movement heard. Cam pointed out that “resistance is not the same as assault. The destruction of the physical infrastructure of fossil capital is completely justified, [and] it is something we should be doing more of.”
To investigate the feeling underlying student inaction, I talked to Max*, a U2 Biology and
Philosophy major who characterizes himself as a “realist.” Max is skeptical of the
power of protest, especially radical protest which might alienate those unfamiliar with the movement.
“Government structures are set in place […] and they’re very protected,” Max pointed out,
when asked whether he thinks protests are effective in promoting systemic progress.
“The best way to create impactful change is not to try to dismantle social structures from the bottom up. It’s to infiltrate and move top-down.”
Top down initiatives for climate action have been advocated for and attempted ad
nauseam over the last five-plus decades, to very little success: the 1997 Kyoto Protocol and the 2015 Paris Agreement, arguably the two most prominent top-down climate efforts, have been largely ineffective. John S. Dryzek and Jonathan Pickering, in their book The Politics of the Anthropocene, name the 1987 Montreal Protocol for protection of the ozone layer the only example of successful top-down climate action in history. This has pushed many frustrated people to campaign from the bottom up, through protests, civil disobedience, and NGOs. Young people like Cam describe a feeling of obligation to fight for climate action, from whichever elevation they can reach — Max is not one of these people, despite believing in the severity of the crisis.
“Everyone feels [obligated to] do the little things that provoke a more sustainable lifestyle,” he told me. “[But] I don’t think […] I have to go the extra mile.” Some further key insights came from Emily,* a U3 Biodiversity and Conservation major in the Bieler School of Environment. As an American studying in Canada, Emily has a valuable outside perspective on Canadian climate politics. Emily tells me that the current government’s stance on climate action reminds her of many previous U.S. administrations, which she says were characterized by a dissonance between words and actions.
“The executive branch is making speeches about the importance of this or that,” she said, “but it often stops at rhetoric and doesn’t continue into reshaping policies.” As an environment student, Emily’s coursework involves a lot of discussion about climate change, and the myriad potential approaches to the crisis. While she recognizes that full societal upheaval will be necessary, Emily also knows that critical change can also happen on a small scale.
“Speak with people about [climate change…] and [get] them to participate in lowering their consumption with you,” she told me, when asked what McGill students can do about the crisis. “Get them to do actions with you.”
In the face of government inaction, it is difficult to remain hopeful. But while Emily characterizes herself as “somewhere in between” climate optimism and defeatism, she definitely errs on the side of hope.
“There’s no capacity to maintain ‘normal life,’” Emily told me. But there is still room for optimism in her eyes. “The place where [it’s relevant to be] defeatist or optimistic is […] what degree of human rights will maintain themselves during the climate crisis,” she said. “I believe we have the capacity to confront the problems we’re facing.”
Let’s hope she’s right.
*All names have been changed for anonymity
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]]>The post From Taxes to Tear Gas: Democracy on Trial in Indonesia appeared first on The McGill Daily.
]]>The August 28 protest was initially organized by the Indonesian Labour Party, Partai Buruh, and grew in size as the night went on. This was the second wave of the mass protests which have been growing in Indonesia since August 26.
The initial riots are a culmination of months of economic and political frustration after it was announced mid-August that the 580 members of the House of Representatives (DPR) would receive a monthly housing allowance of 50 million rupiah (approximately 4,207 CAD) in addition to their salaries. This allowance would make their earnings about 10 times the monthly average minimum wage.
The protests have gotten increasingly violent and clearly defined as protesters are taking to the streets to voice their demands and express their anger against police brutality. Following Kurniawan’s death, demonstrators have consolidated their demands and are protesting with clearer objectives. As of September 2, 20 people have been reported missing, and over 3,000 people have been arrested. The police have continued to fire tear gas and rubber bullets at protestors in the streets, homes, and institutions. Two universities in Bandung have seen violent clashes between the police and student protestors. The total death toll of the demonstrations has amounted to at least ten people.
Over the last few months, Indonesians have suffered from mass lay-offs and a sharp decline in purchasing power. Unemployment in Indonesia ranks highest among all Southeast Asia. Furthermore, the government has been considering increasing taxes and lowering wages for teachers, with propositions such as a 250 per cent property tax hike in Central Java, which was later withdrawn.
All this is happening in the background while the government announced that the DPR’s wages and allowances were being raised to 100 million rupiah (about 8,415 CAD) a month total. Critics argue that the new allowance is not only excessive, but also insensitive at a time when most people are already struggling due to government policies.
Human rights organizations in Indonesia have spoken out against these protests, with Wirya Adiwena, Deputy Director of Amnesty International Indonesia, saying that the government has been “bringing back old playbooks” from the New Order by blaming the protests on foreign intervention, as well as plans to slowly reintegrate the army into civilian lives by allocating more civilian posts to military officers. These policies already sparked protests in February 2025 during the “Indonesia Gelap,” or “Dark Indonesia” protests, which had also grown to include social issues such as police violence, inefficient state projects, and large scale corruption.
On August 29, several informational Indonesian social media accounts released the “17+8 demands” from the people, summarizing demands that have been circulating among demonstrators. The government has been given a deadline of September 5, 2025 to address the 17 short term demands, and until next year to fulfill the final 8. The 17+8 paper has been reproduced and used as a symbol of the protests not only in Indonesia, but by the Indonesian diaspora all around the world, from New York to Berlin to Melbourne, giving a clear and concrete voice to the demands of the Indonesian people.
Overall, these demands include a more efficient and transparent use of state budgets, for government officials to take accountability and listen to their people, and to officially and thoroughly investigate Kurniawan’s death as well as those implicated. The list also calls to reveal the DPR members’ involvement in corruption, reform the DPR and police, and facilitate “open dialogue” with the protestors and organizations. This paper has been received and is currently being reviewed by the president Prabowo Subianto.
Prabowo Subianto served as a high-ranking military general under ex-dictator Suharto’s bloody regime (1967 to 1998). He has been accused of human rights abuses, being involved in the disappearance of pro-democracy activists, and perpetuating the East-Timor genocide. He has still never been held accountable for his actions. Today, he is the president of the world’s third largest democracy.
Even though Prabowo was democratically elected, his rise to power has also been seen as somewhat undemocratic, as the constitution was amended so that his vice president, Gibran Rakabuming Raka, would be able to run at his side.
Upon being elected, Prabowo promised to “work democratically,” but warned that he would not be afraid of taking “decisive action” if necessary, raising concerns that he might resort to autocratic or military means to remain in power.
In the streets, people are demanding an end to the use of military and police forces against civilians and to withdraw soldiers from security operations during the protests, as well as a release of the arrested protesters. Civilians are further pushing to denounce the criminalisation of the right to assemble, associate, and protest peacefully.
Following civilian outrage, the Indonesian National Police’s Code of Ethics Committee (KKEP) has dishonourably discharged Commissioner Kosmas Kaju Gae on September 3, after finding him guilty of his involvement in the death of Affan Kurniawan. The same day, Sufmi Dasco Ahmad, the deputy speaker of the DPR, announced that he would discuss the 17+8 demands of the people with faction leaders following an audience with student groups.
The protests were especially successful in forcing Prabowo to backtrack on his plans to increase the benefits for members of Parliament, although he also ordered the military and police to take action against rioters and looters after state buildings and homes of political party members were ransacked or set on fire during the demonstrations, comparing these elements of violence with acts of terrorism and treason.
These protests serve as an important trial for Prabowo’s crisis management, and have so far been the biggest test to Indonesian democracy in recent years.
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]]>The post Piano for A Purpose: An Interview With Kasidy Xu on Montreal Heart of the City Piano Program appeared first on The McGill Daily.
]]>Musical education has shown to benefit children’s cognitive, social, and emotional development, but many primary schools in Canada lack the resources to provide personalized music education to all students. McGill student club, Montréal Heart of the City Piano Program (MHCPP), fills this void by providing free piano lessons to elementary schools in underprivileged areas of Montréal, with an eye towards cultivating an appreciation for music among young students. The Daily spoke with Kasidy Xu, U3 Nursing student at McGill and Co-Director of MHCPP, about the club’s mission, the value of musical training, and what it means to be a good person.
This interview has been edited for clarity and conciseness.
Enid for the McGill Daily (MD): How did you first get involved in MHCPP?
Kasidy Xu (KX): In my first year, I didn’t join any clubs at all and I was looking for ways to get off campus. I felt really stuck in the bubble, living in residence and everything. I was like, ‘I need to get out into the community,’ and I used to be a piano teacher for two years in high school. So I found this club and I was like, ‘wait, this is perfect.’ In my second year, I joined as a volunteer and when they opened up executive positions for the next year, I became volunteer coordinator for the school that I was volunteering at. Now I’m Co-Chair this year. When I first started [getting involved with the MHCPP], it definitely felt a bit uncomfortable but then I got to the school and I thought, “wow.” Just being surrounded by kids and all of them coming up to you, yelling at you, like they have no care in the world, made me feel immediately comfortable and I was like, okay, this is exactly where I should be.
MD: If you were pitching your club to a first year student at Activities Night, how would you describe it?
KX: We are coupled with four different schools, three English ones and one French school. You’re assigned to a school and a student for the entire semester, so from September to December and then every single week, same time, same day, you just teach your students for an hour. Each volunteer gets a one hour shift per week with one or two students, max. It’s never more than two students. You can work on scales, you can work on a song, you can work on music theory, really whatever the student wants.
MD: Your organization is geared towards providing a music education to students who otherwise may not be able to access one. Why is it important for young people to learn music?
KX: I think there’s so many different ways that music education is important. I obviously don’t know all the science and the facts behind it, but I loved playing music growing up. I found it to be not only a good skill to learn but a good way of forgetting about school, forgetting about other stresses in life, and really just giving me something to focus on where I could destress and relax. On top of that, just the process of learning music and learning piano is so transferable to other skills. Learning piano is also really important in terms of working towards a goal.
KX: Through music I also found a great community. People just love to share their take on music, their opinions about it, and I think it’s really wholesome all around.
MD: Are there any specific events you are looking forward to this year?
KX: Our recitals are our biggest events. We hold recitals twice a year, at the end of the semester, around the beginning of December, and then in the beginning of April. All of the kids perform and their parents and friends come, too. It’s always a packed room in Schulich, and it’s so wholesome. The kids dress to the nines. I had my student show up in a full tuxedo. It was my favorite thing ever. To them this is a big thing: coming to McGill University, playing this song that they’ve been working towards all semester. Seeing their work paid off feels really rewarding.
KX: We have lots of parents at the end of the recital speak to us or send emails afterwards saying thank you for having this club, thank you to all the volunteers. Throughout the semester, they hear about their kids going to these lessons at school, but then to see the recital of not only their kid, but other kids in the program, makes them also feel like [their hard work] has come to some sort of result.
MD: The theme of this column is “good people doing good things.” In the context of your work with MHCPP, what does being a good person mean to you?
KX: I think every last volunteer that joins our club is such a good person because they don’t have to be doing this. They’re not getting paid to do this. They are taking time out of their day to go half an hour out of the McGill community. They’re really not gaining anything from this at all, other than just sharing their love for music and hanging out with these kids. And so I’m just so appreciative of all of them, because without the volunteers, we simply wouldn’t be able to provide any of these lessons. I think they’re all good, good people. We’re really just trying to find as many volunteers as we can so that we can provide lessons to all the kids that want them.
Find out more about MHCPP through their website or their Instagram account, @montrealheartofthecitypiano.
If you know good people doing good things who you would like to see featured In this column, email news@mcgilldaily.com
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]]>The post Plastic Pollution: Geneva Meeting Failure appeared first on The McGill Daily.
]]>In August, the Intergovernmental Negotiating Committee (INC) talks held in Geneva with the goal of drafting a global legally binding document on plastic pollution, failed to yield any results after ten days of discussion.
The lack of consensus, and thus of issuing any plastic production and pollution global regulation, poses serious problems as the environmental plastic emergency becomes more and more pressing. The United Nations Environment Program (UNEP) warns that, unless an international accord is reached soon, plastic waste is projected to triple by 2060. Tuvalu, convention delegate speaking for fourteen small island states in the Pacific, declared that “millions of tonnes of plastic waste will continue to be dumped in our oceans, affecting our ecosystem, food security, livelihood and culture.” Indeed, of the 500 million tons of plastic consumed in 2024, 399 million went to waste.
Plastic pollution invades the food chain and provokes biodiversity loss in the oceans. This ripples into human health. Researchers have studied the impacts of plastic pollution in the ocean: amongst others, the transmission of toxic chemicals into the oceans. These are integrated into the food chain and, at some point, in our plates, affecting our health after having affected that of countless marine fauna and flora species. Dioxins or PCBs are some of the chemicals released by plastic waste, with causal links to cancer having been found among humans.
Global efforts are underway to mitigate the plastic pollution crisis, like the work of The Ocean Cleanup, an international non-profit cleaning up plastic waste from our rivers and oceans. However, the long term solution remains reducing plastic production. As UNEP Executive Director Inger Anderson stated, “We will not recycle our way out of the plastic pollution crisis.” Anderson’s concerns have been echoed by countless environmental activists and advocacy groups, including GreenPeace, which has called for the reduction of plastic production by at least 75 per cent by 2040.
If hopes were high at the beginning of the talks in Geneva, the failure to reach consensus over the drafting of a global legally binding document has disillusioned many. The outcome was characterised by The Guardian as a blow to multilateralism, demonstrating that looking for consensus among nations to act collectively is not efficient. The Geneva summit was the fifth occasion on which countries gathered to discuss the plastic pollution document. The original deadline to draft a document was set to December 2024, making August 2025 an already late solution. The consensus has become a “veto tool,” according to Down to Earth journalist Siddharth Ghanshyam Singh. The necessity for all members to agree means only a few countries voting against a decision can block the negotiations.
In light of this, petroleum-producing countries, those who call themselves the ‘like-minded countries’ led by Saudi Arabia and the Gulf countries, the US, Russia and India, blocked all the processes by voting against all beginning drafts. Colombian delegate Sebastiàn Rodriguez stated that the negotiations were “consistently blocked by a small number of states who simply don’t want an agreement,” while French Environment Minister Agnès Pagner-Runacher blamed the delay on countries “guided by short-term financial interests.” Hence, the reaching consensus appears to be blocking any advancement to solve the plastic pollution crisis: because of countries who fear caps on plastic production affecting their economies. At this point, abandoning a global approach and considering meeting without the participation of “petrostates,” as coined by Micronesia delegate Dennis Clare, could prove more efficient in reaching a decision.
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]]>The post Journalism Under Siege appeared first on The McGill Daily.
]]>The death toll keeps rising, and Gaza’s population is declining. Mass killings by Israeli airstrikes and Israel’s blockade of food supplies have resulted in widespread suffering and starvation among Palestinians. Just a few weeks ago, the United Nations (UN) declared famine in the Gaza Strip.
As of September 1, the recorded number of famine-induced deaths stands at 361, including 130 children, according to Al-Jazeera.
Throughout these past seven hundred days, Israel’s blatant violations of humanitarian law have been thoroughly documented by Palestinian journalists. In response, Israel has escalated its systematic targeting of the press in Gaza.
On August 10, Israel attacked a press tent located outside of al-Shifa hospital, murdering six Al-Jazeera correspondents, among them renowned and beloved-by-all journalist, Anas al-Sharif. The attack also killed correspondent Mohammed Qreiqeh, camera operators Ibrahim Zaher and Mohammed Noufal, freelance cameraman Momen Aliwa, and freelance journalist Mohammed al-Khalidi.
Anas al-Sharif is one of the many media professionals who have been targeted by the Israeli government during this genocide. He was a 28-year-old journalist who had reported extensively from the north of Gaza since the start of the genocide. He gained an extensive following in the past two years, one of his most famous televised sections being his jubilant announcement confirming the ceasefire this past January. In the televised segment, Al-Sharif stood tall, surrounded by his peers, speaking into the microphone, and removed his press vest in a symbolic gesture marking the end of the genocide, and his coverage of the scene.
Seven months later, Israel killed him.
Just two weeks after al-Sharif’s assassination, Israel murdered five journalists and several healthcare workers in a double-tap strike on Nasser Hospital.
As of September 1, Al-Jazeera reports the total number of martyred journalists has risen to at least 278 since October 7, 2023. These attacks are part of Israel’s widespread efforts to erase first-hand documentation of its crimes against Palestinians.
Ayham Al-Sahli, Palestinian journalist from Haifa, wrote in an opinion piece for Al-Akhbar newspaper, “One of the major challenges in Gaza is the lack of strong independent Palestinian media institutions capable of preserving and managing such an archive. Aside from the official Palestinian news agency WAFA, and a few others that have attempted to work in Gaza, no Palestinian body is maintaining a comprehensive record of the way. After two years, much of their capacities to continue operations have diminished, leaving the substantial archives in the hands of foreign media organizations.”
This comment sheds light on major issues regarding Palestinian press safety. The absence of archival preservation from Palestinian journalists on the genocide is directly linked to the ongoing killings of journalists. Thus, this leads to a strong deficit in authentic, native, on-the-ground storytelling, leaving the reporting up to “foreigners.”
The targeting of Palestinian journalists dates back to before the start of the Gaza genocide. In May 2022, Al-Jazeera reporter Shireen Abu-Akleh was shot in the head and killed by Israeli soldiers while covering a raid in Jenin, a city in the occupied West Bank.
Abu-Akleh was a prominent name, having reported for Al-Jazeera for more than 25 years. Several Israeli Defense Force (IDF) statements claimed she got caught in a crossfire between soldiers and Palestinian resistance fighters, but those were quickly disproven. Abu-Akleh was wearing a press vest and standing with other journalists when she was killed.
The press vest should have been enough to protect Shireen Abu-Akleh.
The press vest should have been enough to protect Anas al-Sharif.
The press vest should be enough to protect journalists from being targeted.
Since 1977, the Geneva Convention has implemented amendments to clauses asserting the protection of journalists. Moreover, the United Nations website sets journalism as being “fundamental for sustainable development, human rights protection, and democratic consolidation.” In 2012, the UN implemented the “Plan of Action on the Safety of Journalists and the Issue of Impunity” addressing the prevention of violence against journalists and the protection of the press. Yet these suggestions are not legally binding, leaving journalists vulnerable to attacks by repressive regimes.
Under international humanitarian law, journalists in armed conflict hold civilian status and must be protected. Yet, when it comes to Palestinian journalists, we see nothing but frivolous words of sorrow, prayers, and eulogies.
In fact, at the time of al-Sharif’s martyrdom, CNN and BBC made it a point to link him to the Islamist resistance group, Hamas. La Presse goes so far as to highlight Israeli claims of al-Sharif being a “terrorist posing as a journalist,” despite al-Sharif’s numerous statements that he was a journalist with no political affiliations. Such accusations and harmful narratives have only one aim: to dehumanize Palestinian journalists, and shut down any and all solidarity with them.
This begs the question: what qualifies as being a journalist? And why is it that some journalists’ lives matter more than others?
Al-Sharif and his peers have to work twice as hard as others to prove their journalistic integrity and commitment to the truth, while they stand strong in the face of dangers some of us will never be brave enough to even face. In addition to being systematically hunted down by Israel, Palestinian journalists also face the delegitimization of their profession.
As journalists who are committed to reporting on the truth, we cannot remain silent while our peers in Palestine are being martyred. We must push for their security, fight to keep their voices heard, and preserve their dignity. An attack on one of us is an attack on all of us.
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]]>The post Bring Back the Books appeared first on The McGill Daily.
]]>The transfer of around 60 per cent of McGill’s physical collection to an automated 4,200 square metre off-site facility was carried out alongside the ambitious Fiat Lux Project, which aimed to “create a new central Library complex dramatically reconfigured to suit modern users.” Announced in 2019 as part of the bicentennial ‘Master Plan’ to wholly revitalize McGill’s campuses, Fiat Lux promised to “more than double available seating” in a newly incorporated McLennan-Redpath Library.
But Fiat Lux — Latin for ‘let there be light’ — was prematurely snuffed out when McGill President and Vice-Chancellor Deep Saini announced, in a September 2024 Senate meeting, that the administration had reached the “painful decision” to suspend the $33 million project. Saini attributed recent project cuts, including the termination of Fiat Lux, to the Quebec government’s decision to significantly increase tuition for out-of-province students. This decision has decreased overall enrollment revenue and helped balloon the university’s deficit, from a projected $15 million in the 2025 fiscal year to a staggering projected $45 million in the 2026 fiscal year. In early February of this year, McGill released a statement tersely reflecting on the Quebec government’s actions: “It has taken more than two centuries to build this world-renowned university, but just over a year for these decisions to harm it deeply.”
During the aforementioned Senate meeting, McGill Librarian and Senator David Greene inquired whether or not the Fiat Lux project was “suspended permanently, or if there was an intention to resume it in the future.” The question was met by a resounding shrug, with Senator Fabrice Labeau responding that “the University would continue exploring options for how to best utilize available space to meet the evolving needs of students and other library users, though there was no timeline for these efforts.” With plans on hold indefinitely, when will the 400,000 books planned for return to a renovated McLennan-Redpath complex be sent back? It doesn’t take a keen eye to see that there aren’t 4,000 books in McLennan, let alone 400,000.
What we’re left with are the remnants of an unfinished vision. Walking slowly down corridors of empty white bookcases as the tube lights above me eerily flicker to life, a sense of loss pervades my thoughts. Not only because the fluorescent blinking reminds me of a haunted house, but because technology continues to push the physical medium towards obsolescence. I’ve been asking myself: “What is a library without books?” It’s a community centre or study hall, but no longer a library. Those naked shelves stand as monuments to a dying age. The physical book had a good run of over 4,000 years anyway, right?
But with threats to internet access, the physical book may be more essential now than ever before. I recently finished reading the book Apple in China by Patrick McGee, chronicling the fascinating and alarming story of how China allowed for the rise of Apple and, perhaps more importantly, how Apple played a pivotal role in the rise of China as the world’s manufacturer. While reading the book, I learned about the erection of China’s so-called ‘Great Firewall,’ which limits and surveils their citizen’s internet access, and Apple’s surrender to the whims of that same authoritarian police state: “…when Beijing called for virtual private networks to be removed from the China App Store, Apple complied, and 674 VPN apps were deleted. This was a massive concession, placing all iPhone users in the country in a splintered-off version of the internet” (298). The playbook is clear: limiting information limits resistance. The internet is not as secure as some believe it to be, even from the institutions we trust with our personal data.
You may say this repression of free speech can’t happen here, but take it from an American abroad: it could. The rise of an anti-informational age at home following the re-election of President Donald Trump, along with increasing book-bans across the country, means that free and easy access to university libraries and their physical contents should be enthusiastically protected. I agree that ample space must be made in our libraries for students, but when does principle overtake practicality? In a world on a collision course with AI, reliable information is soon to become an even more valuable commodity than it already is. Though Fiat Lux was not unreasonable for its promise of increased space, the removal of nearly 2.5 million books from the immediate access of McGill students is a distressing overreach that is only underscored by the project’s failure to proceed.
I came to McGill in 2023, and was one of the last to see the Library before its hollowing. I remember my neck hurting from walking up and down the aisles, stunned at the sheer size of McGill’s collection and proud to be a student here. In the free time that a freshman had, which was plenty, I would sit down and flip through whatever interested me. I miss that.
Though a sleek remodeling is worthwhile in theory, the Fiat Lux approach to separating libraries from their books removes from libraries their very souls. Books are as much a symbol of the appreciation of knowledge as they are an instrument to enhance understanding. A library without its books is a car without wheels: you can sit down, but it won’t take you far.
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]]>The so-called “McGillian complex” isn’t new. Ask anyone who has spent time at McGill, and they’ll likely tell you about the way students compare themselves — sometimes jokingly, sometimes seriously — to those at the University of Toronto, the University of British Columbia (UBC), and even our anglophone neighbours at Concordia. A new ranking only gives that culture further validation. A student, who chose to remain anonymous, said, “We already thought we were number one. Now it’s official.”
Rivalries between universities are nothing unusual. Harvard and Yale, Oxford and Cambridge; students have always measured their schools against others. But at McGill, that competitiveness sometimes slips into something sharper. Comments like, “At least we didn’t end up at Concordia” or, “UBC is basically just McGill with better weather” aren’t hard to overhear in downtown Montreal cafés.
Platforms like Spotted: McGill show just how baked-in rivalry is to student culture. The page is essentially an anonymous confessions account on Instagram, with over 21,000 followers and more than 1,200 posts that capture the tone of campus life. Anonymous posts like, “Concordians infiltrating the confessions form yet again…” spark comments that are funny, casual, and full of that playful tension that makes the “McGillian complex” so visible in social media banter.
It isn’t only students who keep this rivalry alive. The university itself profits from it. Walk into the McGill Campus Store and you’ll find items that play up the hierarchy between schools like the McGill Pride Shot Glass, which ranks universities as if they were measurement lines, with Concordia at the bottom and McGill proudly at the top. By selling merchandise that turns competition into a joke, the administration reinforces the very culture of superiority that students are accused of carrying.
The new ranking risks amplifying these attitudes. While some students see the banter as harmless, others point out that these jokes feed into an elitist culture. Concordia, for example, has a long history of excellence in creative fields, arts, and community-based programs — opportunities that McGill doesn’t necessarily have, such as a dedicated Visual Arts program. Reducing the success of a university to a punchline overlooks the complexity of the different factors that make universities thrive.
The real question is how should McGill students respond to this recognition. Pride doesn’t have to equal arrogance. Being proud of our institution’s reputation can coexist with respect for other schools. Yet too often, the McGill identity has leaned on dismissing others rather than building its own community culture.
One student, who wishes to remain anonymous, put it simply: “It’s nice to be at the top, but it feels like nothing on campus will change. We still struggle with the same issues as before.” Another noted that the ranking made them more conscious of how McGill is perceived outside Quebec: “It’s good for the brand, but it shouldn’t make us forget the cracks in the foundation.”
At the same time, it’s worth asking what exactly this number one title really means. Rankings like QS are based on metrics such as academic reputation, faculty-to-student ratios, and international outlook. They make for glossy headlines, but they don’t magically fix the problems students within universities face every day. Tuition isn’t going down — it’s actually more than doubled in Canada since 2006. The shortage of advising appointments isn’t shrinking. The never-ending line at Redpath Café certainly isn’t disappearing.
What the ranking does change is perception, both externally and internally. Internationally, McGill now has another stamp of credibility to attract students and funding. On campus, it shapes how students talk about themselves, their degrees, and their job prospects. But perception alone doesn’t improve the lived experience of being here. That tension, between reputation and reality, is part of what fuels the “McGillian complex.”
So, what should McGill pride actually look like? Being ranked number one doesn’t guarantee that we’ll act like the number one community. It doesn’t erase elitism in student culture or solve inequities in access to education. What it does offer is a chance to ask ourselves: are we living up to the title, or are we just polishing the ego of the “McGillian complex”?
If McGill students are serious about embracing this recognition, it might be worth stepping back from the rivalry game. Instead of measuring our success against the University of Toronto or UBC, we could focus on what actually makes this place worth being proud of. Is it the ranking, the diversity of students, the city we live in, or the communities we build on campus?
McGill’s new title is an opportunity not just to brag, but to rethink how we define excellence and honour. The ranking will eventually fade into next year’s cycle, but the culture we create around it is ours to decide. The “McGillian complex” doesn’t have to mean arrogance. It could mean something else entirely: a culture of confidence without condescension, and of pride without the put-downs. Maybe that’s the kind of number one reputation worth holding onto.
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]]>From Sydney Sweeney’s jeans as a eugenics dog whistle to tradwife aesthetics permuted into “princess treatment,” media discourses have felt inescapable, a beast of their own. They model a new format of engagement that has become increasingly common online, and spell a clear trend towards conservative cultural dominance.
This “discourse” is not a conversation en masse or a mesh of individual interactions. Rather, it consists of two clashing self-contained dialogues — and conservatives are setting the terms.
These media blackouts — instances where it seems the whole of the internet is shouting about the same thing to no avail — have become a strategic tool of the right to dismiss and delegitimize liberal critique. This successfully spews further division and paints liberals as fragile and perpetually outraged, lessening the credibility of the “woke left” that can no longer unite around a cohesive political agenda, whereas the right can and does.
The result? Conservatives are winning the media discourse.
Take the response to the Sydney Sweeney American Eagle ad. The infamous ad features the white, blonde, blue-eyed actress posing in a pair of AE jeans and slowly drawling that “genes [“jeans”] are passed down from offspring to offspring…my genes are blue” as the camera zooms in to her blue eyes. Tagline “Sydney Sweeney has great genes” feels loaded when the wordplay hinges on Sweeney’s presentation of “desirable” white, blonde, blue- eyed genes.
Mass amounts of backlash circulated following its release, deeming it creepy at best and endorsing eugenics at worst. Then came the subsequent wave of reactions: a mass of comments, tweets, and posts saying people were reading too much into it, that American Eagle had just happened to pick a blonde, blue-eyed actress, that — the dreaded phrase — ”it’s not that deep.” That wave of dismissal fueled the discourse itself, and by insisting critics were overly sensitive, conservatives set the terms of debate and ensured the ad was replayed, argued over, and circulated even more widely.
Exploiting humankind’s instinct towards the extreme is no novelty for social media creators. As actions once considered progressive are increasingly normalized, the countercultural alternative is radical conservatism in order to amass likes and views. Cue the rise of tradwife content: TikTok user Courtney Joelle’s video, in which she describes refusing to even speak to a waiter before her husband arrives at the restaurant as “princess treatment,” has a whopping 8.2 million views at the time of writing.
The “moment” here is not the video itself, but the reactions that have caused videos such as these to rack up millions of views and countless comments. Viewers either condemn or praise the creator’s commitment to traditional values and femininity. Extreme conservatism paired with a spectacle driven algorithm is a recipe for engagement from hate-watchers and sympathizers alike. These seemingly random viral flare-ups are engineered to spark backlash, and the resulting liberal outrage becomes the fuel to boost conservative visibility and reach.
Amidst an atmosphere of outrage and radical extremes, conservative-coded imagery settles comfortably into the mainstream.
Audience engagement with each of the summer’s spectacles indicate a pendulum swing away from the 2020 cancel culture era of “woke censorship,” which pushed political correctness and positioned everyday people at the mercy of an internet mob. This was a time when it felt like the entire internet was against the same things, regardless of private, personal beliefs. Backlash was quickly quieted, and TikTok Trump supporters were no match for the crashing wave of the PC police. Framed as accountability, cancel culture instead stunted personal growth, pushing people into silence out of fear of misstepping and setting the stage for today’s post–cancel culture era.
Now, we’re seeing the opposite: no one is afraid to say anything. Emboldened by Trump’s unconventional approach to public speaking, a tone shift has taken place in American media that has been quickly exported worldwide. We are now in what some might describe as the post-cancel culture era.
Neither extreme is preferable, but it’s important to notice how the tide has turned. Outrage- driven discourse online has shifted from a cultural tool for progressives to being strategically weaponized by the right. “Ragebait” content and its subsequent “it’s not that deep” dismissals serve to delegitimize liberal voices and normalize conservative values in mainstream culture. If the summer’s talking points can teach us anything, it is to recognize the patterns that keep us trapped in outrage cycles and note who really benefits from them.
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