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	<title>Keah Hansen, Author at The McGill Daily</title>
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	<description>Montreal I Love since 1911</description>
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	<title>Keah Hansen, Author at The McGill Daily</title>
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		<title>Girl</title>
		<link>https://www.mcgilldaily.com/2016/10/girl/</link>
		
		<dc:creator><![CDATA[Keah Hansen]]></dc:creator>
		<pubDate>Mon, 03 Oct 2016 10:04:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[inside]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[femme]]></category>
		<category><![CDATA[poems]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[woman]]></category>
		<category><![CDATA[women]]></category>
		<guid isPermaLink="false">http://www.mcgilldaily.com/?p=47586</guid>

					<description><![CDATA[<p>Poetry by women and femmes</p>
<p>The post <a href="https://www.mcgilldaily.com/2016/10/girl/">Girl</a> appeared first on <a href="https://www.mcgilldaily.com">The McGill Daily</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3>metal girl</h3>
<p>in black holes it’s easy to pretend that she is just a hoax<br />
that you are just human<br />
but fantasy deliquesces<br />
and the truth can be so easily unleashed</p>
<p>[you created me]<br />
she coats her cracked lips with copper<br />
(you wanted to be unearthed)<br />
you taste the metal</p>
<p>she is forged venom<br />
and you know so little about the antidote<br />
but more often you know her wiring slipping between your ribcage<br />
you are galvanized and malleable<br />
and her toxins are excellent sophistry</p>
<p>she wears ordinary clothes but she wears them differently<br />
velvet soft razors, silky buttered knives<br />
and you relish the vitriolic cuts<br />
but when she unwraps, her bronze flesh sets you on edge<br />
(your thigh<br />
her knife<br />
her tongue)</p>
<p>sometime you wonder what beast she is<br />
and then you know<br />
serpent, ophidian<br />
skin shimmering, gaze matte, eyes devouring<br />
alluring yet deadly</p>
<p>[i think sometimes that you misunderstand me]<br />
legs cross and lace falls<br />
[or that you understand me too well]<br />
you stare at the scar on her shoulder</p>
<p>her lesions make a filigree on your skin<br />
as she places you in a crucible<br />
and marinates in your company<br />
[indulge me]<br />
(consume me)<br />
you churn and growl</p>
<p>the silent alleys are ageing<br />
but still nails clash<br />
but still skin mingles like an alloy<br />
with blood dripping through the spaces of your teeth<br />
you are gilded and raw</p>
<p>when she welds crevices into you with tempered phrases<br />
her words are verdigris<br />
and all you can ever breathe is her</p>
<p><em>–Maddie Gnam</em></p>
<figure class="wp-caption aligncenter"  style="max-width: 640px">
			<a href="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_3.jpg"><img fetchpriority="high" decoding="async" class="size-medium wp-image-47593 aligncenter" src="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_3-640x424.jpg" alt="features_3" width="640" height="424" srcset="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_3-640x424.jpg 640w, https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_3-768x509.jpg 768w" sizes="(max-width: 640px) 100vw, 640px" /></a>		<figcaption class="wp-caption-text" >
			<span class="media-credit"><a href="https://www.mcgilldaily.com/author/sonia-ionescu/?media=1">Sonia Ionescu</a></span>		</figcaption>
	</figure>

<h3>Gros Morne</h3>
<p>If I could write this ruddy mountain<br />
As thinly as I see it</p>
<p>I would loll my arm into<br />
The intimacies of people weaved</p>
<p>Ghost threads, cobwebs stretched<br />
Frail across this sea</p>
<p>I would name each<br />
Ligonberry and pretty meek boulder</p>
<p>With all the blunt spread<br />
Of a colonial, or a tourist</p>
<p>My irreverence dulling the bloody<br />
Colours of sugar my lips can’t define</p>
<p>But now the skies are swollen<br />
With myself, I’m piercing</p>
<p>This land, my words<br />
Clumsy raindrops.</p>
<p><em>–Keah Hansen</em></p>
<h3></h3>
<figure class="wp-caption aligncenter"  style="max-width: 640px">
			<a href="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_4.jpg"><img decoding="async" class="size-medium wp-image-47594 aligncenter" src="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_4-640x424.jpg" alt="features_4" width="640" height="424" srcset="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_4-640x424.jpg 640w, https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_4-768x509.jpg 768w" sizes="(max-width: 640px) 100vw, 640px" /></a>		<figcaption class="wp-caption-text" >
			<span class="media-credit"><a href="https://www.mcgilldaily.com/author/sonia-ionescu/?media=1">Sonia Ionescu</a></span>		</figcaption>
	</figure>

<h3>Salty moon</h3>
<p>girl meets Girl<br />
girl trips over the moon for Girl, but<br />
Girl leaps through stars for another and, they somehow don&#8217;t collide<br />
but girl imagines their universe<br />
when she trips<br />
and spins<br />
back down<br />
sees their own world of soft yellow<br />
light, even as she sinks in damp earth<br />
and salt<br />
down down further down<br />
where<br />
girl tastes the sick sweet white light<br />
of Girl on honeymoon with another<br />
and their universe drifts<br />
without sparks<br />
somewhere far<br />
far, so, so, very very<br />
far.</p>
<p><em>–Anonymous</em></p>
<figure class="wp-caption aligncenter"  style="max-width: 640px">
			<a href="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_2.jpg"><img decoding="async" class="size-medium wp-image-47592 aligncenter" src="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_2-640x424.jpg" alt="features_2" width="640" height="424" srcset="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_2-640x424.jpg 640w, https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_2-768x509.jpg 768w" sizes="(max-width: 640px) 100vw, 640px" /></a>		<figcaption class="wp-caption-text" >
			<span class="media-credit"><a href="https://www.mcgilldaily.com/author/sonia-ionescu/?media=1">Sonia Ionescu</a></span>		</figcaption>
	</figure>

<h3></h3>
<h3>Madari</h3>
<p>I ask my grandmother where she comes from<br />
she says I stem from suitcases</p>
<p>I ask her who she comes from<br />
she says I come from nomads</p>
<p>I take her hands into my own<br />
And ask what the journey was like</p>
<p>She says the road is toughest when you’re on borrowed time</p>
<p>I ask her if she wants to rest<br />
She says she’s never had the time</p>
<p>I wake up at dawn and sit next to her while she prays<br />
She says God hears you better when the rest of the world is sleeping</p>
<p>So I ask, where does God come from<br />
she says, God comes from women who spill their bodies to make room for us</p>
<p>I ask her of these women<br />
She says soon I’ll be one of them</p>
<p>She rests her hand on the side of my cheek and says<br />
Your mother was your first home</p>
<p>And now you pray to the East<br />
Every time you bow your head<br />
Heaven grows under her feet</p>
<p>I ask her if she enjoys poetry<br />
she says I am her favourite poem</p>
<p>I ask if it’s because she helped write me into existence<br />
she says I am the light in her eyes</p>
<p>I ask who she got her eyes from<br />
She says she stole them from the boy next door</p>
<p>I ask her about her first love<br />
She says she left it where she found it</p>
<p>so I trace her footsteps and follow her back to the village where she was conceived<br />
and i marvel at her conception</p>
<p>She was made of her father’s hopes and her mother&#8217;s worries</p>
<p>They dreamed of a boy and she harboured that insecurity<br />
she laced it with shortcomings and tied a perfect a bow on what could’ve been her</p>
<p>But she taught what it means to keeping moving on</p>
<p>Her life was not effortless and neither was her love</p>
<p>So</p>
<p>I ask her if she loves me<br />
And she says, enough to step out onto the road again</p>
<p><em>–Khatira Mahdavi</em></p>
<p>&nbsp;</p>
<h3>Baba</h3>
<p>I am three years old and my skyline is a soft blue</p>
<p>with your head a halo against the sun</p>
<p>I shut one eye and gaze at you through the other</p>
<p>a cloud of hair on top of a man</p>
<p>Who tethers his love to balloons</p>
<p>You bent down to lift me</p>
<p>And I thought to myself <em>how foolish is the sky to leave you all to me</em></p>
<p><em>–Khatira Mahdavi</em></p>
<figure class="wp-caption aligncenter"  style="max-width: 640px">
			<a href="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_5.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-47595 aligncenter" src="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_5-640x424.jpg" alt="features_5" width="640" height="424" srcset="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_5-640x424.jpg 640w, https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_5-768x509.jpg 768w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>		<figcaption class="wp-caption-text" >
			<span class="media-credit"><a href="https://www.mcgilldaily.com/author/sonia-ionescu/?media=1">Sonia Ionescu</a></span>		</figcaption>
	</figure>

<p>Lying to your mother is something<br />
you knew instinctively<br />
at 13, and remembered with hell in your head<br />
at 21.</p>
<p>The moon pale as a rib. Houseful of adults and their languages.<br />
Where were they when you pondered bleach at 14?</p>
<p>At the counselor’s you smiled hard<br />
with half of your face. Tea leaves swirl<br />
then settle. One time when you were eight</p>
<p>your mother picked you up from school.<br />
In the car your tears hot enough<br />
to brew tea with. <em>If you behave this way again, I will –</em></p>
<p>You felt your shoulders turn in, and in, and in.<br />
Cute. Compact. You are the girl-child<br />
your mother never wanted.</p>
<p><em>–Coco Zhou</em></p>
<p>&nbsp;</p>
<p>Dusk, a lake: where Girl was last seen.<br />
A Girl with brains of beryl, lung of wool.</p>
<p>How did she get here. Whose.<br />
It was the year children learned to swim.<br />
A litter of them, by the lake. Find her</p>
<p>at the edge of slumber. Brains &amp; lung.<br />
Washed out &amp; stretched. Every fish<br />
that swims by throws away its voice.</p>
<p><em>–Coco Zhou</em></p>
<figure class="wp-caption aligncenter"  style="max-width: 495px">
			<a href="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_1.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-47591 aligncenter" src="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_1-495x640.jpg" alt="features_1" width="495" height="640" srcset="https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_1-495x640.jpg 495w, https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_1-768x994.jpg 768w, https://www.mcgilldaily.com/wp-content/uploads/2016/09/FEATURES_1.jpg 1384w" sizes="auto, (max-width: 495px) 100vw, 495px" /></a>		<figcaption class="wp-caption-text" >
			<span class="media-credit"><a href="https://www.mcgilldaily.com/author/sonia-ionescu/?media=1">Sonia Ionescu</a></span>		</figcaption>
	</figure>

<p>My belly<br />
Is swollen<br />
with the pain I hold for you<br />
It sits, bloated, between the wet raw flesh of my organs<br />
And it<br />
expands between my ribs<br />
with every<br />
breath</p>
<p>that I take.<br />
I cater to it deftly<br />
Careful not to burst its taut skin<br />
With the soft strokes of<br />
My straying thoughts.</p>
<p>On days where the pain<br />
Sits neatly<br />
Amongst my other organs,<br />
I hold my breath<br />
Careful not to move too quickly.<br />
At home in the body</p>
<p>Of a soul rubbed raw<br />
The pain has started to feel<br />
Like my natural landscape.</p>
<p>On other days it begins to bloat<br />
Seeping out into the dark,<br />
Damp folds of my flesh<br />
And as the storm begins to rage,<br />
My skin<br />
Serves only as a boundary<br />
That contains the violent thoughts<br />
That seek to contort<br />
My muscles<br />
And<br />
Rip through the flesh<br />
That used to sustain me.<br />
That flesh is now a part<br />
Of the pain<br />
What once was my body<br />
Is left, deserted, on my bedroom floor.</p>
<p><em>– Anonymous</em></p>
<p>&nbsp;</p>
<p>The post <a href="https://www.mcgilldaily.com/2016/10/girl/">Girl</a> appeared first on <a href="https://www.mcgilldaily.com">The McGill Daily</a>.</p>
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